Monday, April 20, 2015

Final Composition and Compare Contrast



I can't say I'm thrilled with this piece. I feel like I was successful in creating a greater variation in values, but I think the rendering is poorly executed. The colors are not precisely what I wanted them to be, and the likeness is pretty lacking in my opinion, both between the original image and my rendition as well as in the likeness to Marilyn Monroe.  While there is a greater variation in value as far as each color is concerned, I would have liked a higher level of contrast between values to better bring out the form. I also feel like my loose sketches captured her better. I'm not really satisfied with this piece at all, and I wish I had taken more time and care with it.

I also realized I forgot her mole. That's okay, I'll probably rework this whole piece at some point when there's time.

Progress Shot

Just experimenting with the different compositions concerning the cropping.

Objective Critique

This piece by Andy Warhol utilizes various elements and principles of design in order to achieve an effective piece. The colors within the piece are arranged in such a way that creates balance. The blue used for the background is balanced by the blue used around her eyes; the burnt yellow of her hair is balanced by the corresponding color in her eyes, and so too with the red of her lips applied to her earrings and her collar. The eyes are given emphasis by the conjunction of colors used to form an area of high contrast.

Overall, the piece does not have a lot of values, but has a high contrast because of the limited values within it. The black lines and shapes are used to create the subject of the piece and give it form. There is also a contrast in the shapes of color as compared to the harsh darkness of the lines of the subject.

Subjective Critique

Let me preface my subjective critique by saying that in fact I do like this piece, and I believe it to be well executed. I find it very difficult not to find the artistic beauty in most things, but I can recognize when something isn’t done well. The reason I chose it is that, more than disliking the piece, I am frustrated and a little appalled by the way that contemporary society has misappropriated pop art and Marilyn Monroe. People seem to have lost the meaning of these things and the reality of this tortured woman.
Speaking from an aesthetic perspective, I can say there are elements that, while used to great effect within the piece, I am not a fan of at their base. For one thing, I don’t like the colors. The contrast between them as well as the dull, muted tone used for each has kind of a subdued effect. Also, the lack of variation or transitional value is a problem for me. Each color is a flat, slightly desaturated tone, which contributes nothing to the form of the subject.  Black is the only thing that gives us any sense of form or detail on the subject, and without it, the piece would only be senseless, colored shapes. Another issue I have with this piece is the composition. Typically, when doing a portrait piece, it’s advisable to show a little of the neck and shoulders so as to avoid the appearance of a head floating in space; you imply the rest of the body without actually showing it. Also, with the way that the cropping of the piece is so close to the subject, the amount of headspace is kind of uncomfortable because the frame is so close to the edge of her hair without actually touching it. I also don’t like the fact that her teeth are almost indistinguishable in the red color applied over her mouth. Granted, if he had left them white, it would have completely ruined the piece.

Altering this peace, I would begin by altering the cropping to include more of the subject and to provide context around the head while also making the composition more interesting. I would also integrate the colors in a more natural way and create more variation in value in order to better represent the form. Particularly with the purple used for her skin, I believe it needs to be a softer, subtler tone. I also find that because there is no variation in saturation or brightness within each color, the image is very flat, and the viewer must rely on the harsh, black lines to understand what they’re looking at. This is another thing that I would address by creating differences within the background color versus the colors used for the subject. I believe that these would make the piece more aesthetically pleasing as well as to better define the subject. Never mind completely altering the message of the piece.

Original Image and Basic Info

    Andy Warhol,
    Marilyn, 1967
    Silkscreen Painting